Category Archives: queer

Pedro Lemebel

Pedro Lemebel, the Chilean activist, essayist, and provocateur passed last week of cancer. With memorials beginning to appear in the English speaking press almost a week later (see today’s article in the New Yorker link to the text below) Lemebels death is a loss. With a legacy of opposition he was a voice who represented those deemed in the periphery – addressing the marginizalization of gays, lesbians, and trans folks in Chile. With his most powerful work  intersecting citizenship and heteronormativity Lempel’s work challenged the public gaze and looked at those who were excluded from the parameters of middle class heteronormativity to include the poor and the ill. Surprisingly Chile’s President, Michelle Bachelet, lauded the political agitator a “tireless creator”.  With a legacy of opposition against all forms of injustice including Pinochet’s dictatorship. neoliberal consensus of Chile’s government, also against resistance from Marxists who referred to homosexuality as a vice and dismissed those suffering of AIDS. Lempel was a queer activist who fought against those he thought profited from the invisibility of those who were not found in statistics (poor, queer, illegal etc).

http://www.newyorker.com/books/page-turner/surreal-end-unforgettable-queen-pedro-lemebel-1952-2015

 

Shaka McGlotten: Political Aesthetics of Drag

“The talk presents drag aesthetics as an ethics, focusing specifically on the ways artists and activists use drag to respond to, or reframe, some of the pressing political crises of our times, including racism, austerity, and police and military violence, among others.”

https://www.ici-berlin.org/event/624/

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From ICI Berlin

Drag can be a means of touching queer and other publics, or of mediating one’s economic precarity. It can function as art by other means, or by any means necessary. And like politics, drag can be a duty, a contentious pleasure, or something to dread. The talk presented drag aesthetics as an ethics, focusing specifically on the ways artists and activists use drag to respond to, or reframe, some of the pressing political crises of our times, including racism, austerity, and police and military violence, among others. It was constructed as a series of interlocking ethnographic portraits of contemporary drag across three sites, New York City, Berlin, and Israel/Palestine. These stories foregrounded some of the interlocutors’ competing desires for doing drag—for some it provides a stage from which they can articulate a radical politics, while for others it is a sensual refuge away from politics as they are ordinarily understood. Indeed, in keeping with the lecture series’ theme “Desire’s Multiplicity and Serendipity,” McGlotten showed how the desires that animate the drag personas and performances of his informants reflect a diverse array of lived conditions and political aesthetic orientations.

Shaka McGlotten, currently living and working in Berlin as a Fellow of the Alexander von Humboldt Foundation, is Associate Professor of Media, Society, and the Arts at Purchase College-SUNY, where he teaches courses on ethnography, digital culture, and queer studies. He is the co-editor of Black Genders and Sexualities (Palgrave, 2012) and Zombie Sexuality: Essays on Sex and the Living Dead(McFarland, 2014). He has written and spoken widely about public sex, virtual worlds, gaming, and hook up apps, preoccupations that appear in his monograph, Virtual Intimacies: Media, Affect, and Queer Sociality (SUNY Press, 2013).